1/13/2024 0 Comments Twitch the 8bit drummer![]() It’s a bittersweet vibe derived from close relationships, some great times, and some sad moments, but we have to keep moving forward. The feelings and ideas behind this track immediately followed our ( Velocity 128) final Betamax Video Club event at Ten Tigers Parlour before they had to close down last year, along with some personal struggles. I usually go for heavy low end for the dance floor, clarity in the instruments, and some wideness and air in the highs. It would be good to have a fresh set of ears and a different perspective on it. The mix should be mostly there, but I suggested to Blvksite to make decisions based on what he thinks is best. I ran my pedalboards through as send/return effects (compression, distortion, drive, delays & reverb pedals) to give the virtual instruments (VSTs) more grit and warmth. Overall, it’s a straightforward track with five main elements set up like a five-piece band: drums, bass, voice, and the two instruments on either side, but it’s in a dance track arrangement. It’s really a synth pad but made with her vocals played as chords. To get her voice to fit into the mix as a synth pad, I used a lot of spatial and modulation effects. She sang notes in scales then I mapped them into Ableton Sampler. We made this vocal pad from recording and multisampling opera singer Frances Mitchem-Diago at Iteration's studio. The delays almost take care of that going from middle out. Both arps should be relatively wide to either side. It works like a call & response with the Arp Plucks. The second arp is from one of Ableton’s Wavetable Instrument Racks that I adjusted to taste. You can probably pan this farther to one side, although there’s a delay that spreads it out as is. The first arp was an Ableton Instrument Rack built on a kalimba sound modeled on Ableton Collision that I adjusted. There were some phasing or masking issues from previous versions that I tried to clean up over several iterations. It’s a bit loose but should work as a bit of swing. There’s some swing to it since I played it by hand and the quantize function didn't really work well for this. I automated the filter and cut it lower when other synths came in and cranked up the resonance for that acid-like sound. This man (8-Bit Drummer) played drums to the beat of Country Roads - Nightcore while playing a kazoo. The8BitDrummer YouTube Channel Analytics and Report. This is an acid (sort of) synth bass I designed from Ableton Analog with a lot of processing. The 8 bit drummer covers Metropolis Part 1 : r/Dreamtheater. It might be a funny scene, movie quote, animation, meme or a mashup of multiple sources. These went through a drum buss with additional processing to glue them together, and a parallel channel with more aggressive effects. You can take any video, trim the best part, combine with other videos, add soundtrack. I combined two Ableton Drum Racks and layered a subkick made from a sine wave in Ableton's Operator and a low-pass filter to cut out anything above the low frequencies. Tonight starting at 8:15 PM, Blvksite (Justin Barini-Rivers) will be mixing and mastering my upcoming track, "Ensuing Days," live on Twitch!įor those interested in the music production details and what goes on from a creative perspective, here are some production notes.
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